And in a way, that's what these pieces modestly resemble. The sheer contrast of colors like red and green, black and white, blue and yellow, and so on, helped to provide the minute juxtapositions needed for the pieces to appear more saturated and vivid.ĭepending on viewing distance, this spotty saturation can also make the eyes wander around around the canvas to find something "solid" to focus on similar to an optical illusion. These Neo-Impressionist artists sought to find a way to use specific colors to make other colors stand out, and by standing out, they became "brighter", or more noticeable in the piece. Now you might be asking, "Science? Science and art?" Yes, science and art indeed! Taking a gander or two at Pissarro's piece, or even back at Seurat's, they are shockingly bright, and this is no accident. Museum quality guaranteed with free shipping. They also sought to sync emotional states with the lines, colors, and forms that were presented in their art. Hand-painted oil reproduction of Claude Monets Impression, Sunrise. It's often noted that Neo-Impressionist artists had views and beliefs that tilted towards anarchy, and that through art and science, they oftentimes expressed their ideal views of harmony as it was contrasted against the growth of capitalism. ![]() A good way to think of this relates to how a T.V displays color, and if you've ever looked point blank at a powered T.V and have seen the red, blue, and green dots, you'll instantly make the connection. For instance, the woman's blue skirt is composed of several colors, but when looking at it from a distance, it mostly looks blue and purple. This style of painting relies on "optical blending", in which the human eye, when exposed to small but different splotches of color next to each other, will make the main color more prominent. ![]() ![]() "A Sunday on La Grande Jatte" detail Notice how in the whole painting, especially from afar, looks much more defined than Monet's, but the closer you get, the more you actually see.
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